Death On The Nile (2022) Explained In Hindi | Mystery

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Death on the Nile is a 2022 mystery film directed by Kenneth Branagh from a screenplay by Michael Green, based on the 1937 novel of the same name by Agatha Christie. It was produced by Branagh, Ridley Scott, Judy Hofflund, and Kevin J. Walsh. The film is a sequel to Murder on the Orient Express (2017), and stars Tom Bateman, Annette Bening, Branagh, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, and Letitia Wright. Branagh and Bateman return from the first film, reprising their roles as Hercule Poirot and Bouc, respectively. The film is the third screen adaptation of Christie’s novel, following the 1978 film and an episode of the television series Agatha Christie’s Poirot broadcast in 2004. Principal photography began in September 2019, with filming taking place at Longcross Studios in England, completing that December.
Death on the Nile was first released in several international markets on February 9, 2022, and in the United Kingdom and the United States on February 11, following several delays due to the COVID-19 pandemic. The film received mixed reviews from critics, who perceived it as being inferior to the previous adaptations but appreciated its old-fashioned style. The film has grossed $134 million against a production budget of $90 million, making it a box office disappointment. Nevertheless, a sequel is in development.

Cast
Tom Bateman as Bouc, Hercule Poirot’s friend and Euphemia’s son.
Annette Bening as Euphemia, a renowned painter and Bouc’s mother.
Kenneth Branagh as Hercule Poirot, a renowned detective celebrated for his rare deductive skills.
Russell Brand as Linus Windlesham, a former aristocrat-turned-doctor and Linnet’s former fiancé.
Ali Fazal as Andrew Katchadourian, Linnet’s cousin and trustee.
Dawn French as Mrs. Bowers, Marie Van Schuyler’s nurse and clandestine lover.
Gal Gadot as Linnet Ridgeway-Doyle, a wealthy heiress, Simon’s wife and Jacqueline’s former friend.
Armie Hammer as Simon Doyle, Linnet’s husband and Jacqueline’s former lover.
Rose Leslie as Louise Bourget, Linnet’s personal maid.
Emma Mackey as Jacqueline “Jackie” de Bellefort, a former friend of Linnet and Simon’s scorned lover.
Sophie Okonedo as Salome Otterbourne, a renowned jazz singer and Rosalie’s aunt.
Jennifer Saunders as Marie Van Schuyler, Linnet’s godmother and a socialite-turned-communist.
Letitia Wright as Rosalie Otterbourne, Salome’s niece, business manager, Linnet’s classmate and Bouc’s lady-love.
Susannah Fielding as Katherine, Poirot’s lover who is killed during the First World War.

Box office
As of April 1, 2022, Death on the Nile has grossed $45.3 million in the United States and Canada, and $89.4 million in other territories, for a worldwide total of $134.6 million.

Critical response
Metacritic, which uses a weighted average, assigned the film a score of 52 out of 100 based on 50 critics, indicating “mixed or average reviews”. Audiences polled by CinemaScore gave the film an average grade of “B” on an A+ to F scale, the same as its predecessor, while those at PostTrak gave it a 77% positive score, with 57% saying they would definitely recommend it.
David Rooney of The Hollywood Reporter wrote: “For some of us who look back with affection on John Guillermin’s lush 1978 screen version, there’s a nagging feeling throughout that Branagh, while hitting the marks of storytelling and design, has drained some of the fun out of it.” Owen Gleiberman of Variety called the film “a moderately diverting dessert that carries you right along. It never transcends the feeling that you’re seeing a relic injected with life serum, but that, in a way, is part of its minor-league charm.” Edward Porter of The Times gave the film 3 out of 5 stars, saying that its “gaudy style — combined with the melodrama of the script’s modified take on Christie’s plot — remains diverting even if some of the supposedly Egyptian backdrops look phoney.” Sandra Hall of The Sydney Morning Herald gave the film 4/5 stars, writing: “While the gamble Branagh takes in disinterring Poirot’s long-neglected sensitive side may be regarded as sacrilege by some, I think it works. Poirot has a yearning heart.”

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